
- Adobe premiere pro 2021 portable google drive how to#
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If you’ve got different editors collaborating then they most likely have their own dedicated RAIDs that have each unique names. It’s also one of the more controversial as it might be easier said than done depending on who you’re working with and what their system options might be. This step is one of the most important parts of quick and easy remote/share/collaboration. Set up the main media drives to have matching file paths
Adobe premiere pro 2021 portable google drive Pc#
I’m sure there are similar options on a PC so if you know of any please let us know in the comments below. This article about recreating an empty folder structure on the Mac can help. If there are times when this can’t be done at the offset of a job you can recreate folder structures with relative ease. Using an app like Digital Rebellion’s PostHaste can be the best practice when beginning a video project.
Adobe premiere pro 2021 portable google drive archive#
You should be doing this anyway as it keeps things nice and tidy and makes it easy to archive in addition to move a full edit from one system to another (for the most part, more on that in a bit). Using a simple little utility like Posthaste to set up a base folder structure for your entire edit is the most bulletproof option. This is a place where the initial setup and cataloging of your media is very important. The organization of your media is of utmost importance with sneakernet remote editing and collaboration. Organize the project media in a very … organized way
Adobe premiere pro 2021 portable google drive how to#
Since remote video editing and collaboration is now such a hot topic I’ve seen a lot of questions and comments about how to seamlessly use sneakernet style video editing. It requires good media management on the front end to make sure everything is in sync between systems and if nothing changes during the edit works quite flawlessly.

I’ve utilized this method for years to work between office/home, editor/assistant, or editor/editor. This is a down-and-dirty, how to best use a carnet, FedExnet paradigm for your remote editing. Companies like BeBop and LucidLink are offering actual product-based solutions even if they might not be as simple as the one-click browser-based signup that many think is possible. Frame.io has an excellent series about the topic that is ongoing. Our own PVC podcast was one of the first to attempt to answer some of the questions about this kind of workflow. There’s no shortage of blogs, articles, products, and videos attempting to help facilitate a true remote video editing world. This physically moving of hard drives is a different world than what is possible with some of the online, cloud-based solutions for remote video editing. The project file was loaded up in Premiere once all the media was on the shuttle drive to check the relinking and the media. In this case, it was a small corporate project on a shuttle drive moving to a RAID. That will mean identically named media drives.
Adobe premiere pro 2021 portable google drive Patch#
Sneakernet, carnet, FedExnet works well if you can duplicate the file patch in each location where you have media. It’s also entirely possible, when working with vast distances between editors, that you have to physically ship the hard drives. We can call this carnet because you have to physically move a hard drive via car or courier. It could also be across town if you’re moving from office to home, adding another editor into the mix or working with an assistant. That was often down the hall when you didn’t have on-premises shared storage, hence the name sneakernet. That refers to using your feet to physically carry a hard drive from one place to another using your feet which are wearing shoes (though barefooting or socks is okay too) … that some call sneakers.

One way of collaborating remotely, editing with others, editing in two different locations, whatever you want to call it without the use of any cloud-based media storage has long been what is often called sneakernet. There is, without a doubt, more interest and movement today about true remote editing than has ever happened before in the history of non-linear video editing.
